Friedensreich Hundertwasser Architecture
The father of the Green Roof...
Born in Austria 1928, died at Sea 2000.
Hundertwasser- Model for Hohe-Haine (High Groves), Dresden, 1998. hundertwasser.at "The colourful, the abundant, the manifold, is always better than mediocre grey and uniformity."
Hundertwasser- KunstHaus, Wien, 1989-91. Hundertwasser wrote many manifestos one of them being the 'Mouldiness Manifesto against Rationalism in Architecture."
Hundertwasser- KunstHaus, Wien, 1989-91. hundertwasser.at
Hundertwasser- KunstHaus, Wien, 1989-91. www.hundertwasser.at Note the uneven floor- "an uneven floor is a melody to the feet."
Hundertwasser- Forest Spiral of Darmstadt, 1998-2000. hundertwasser.at
Hundertwasser- Forest Spiral of Darmstadt, 1998-2000, 105 residential units. hundertwasser.at “Just carrying a ruler with you in your pocket should be forbidden, at
least on a moral basis. The ruler is the symbol of the new illiteracy.
The ruler is the symptom of the new disease, disintegration of our
civilisation.”
Hundertwasser- Green Roofed Forest Spiral of Darmstadt, 1998-2000. hundertwasser.at
Hundertwasser- Hundertwasser Haus, Vienna, 1983-86. hundertwasser.at Note the tree growing out of window. He published a manifesto; 'Your window right – your tree duty' "A journey into the land of creative architecture where there are window rights and tree tenants and uncontrolled irregularities; uneven floors, woodlands on the roof, spontaneous vegetation and barriers of beauty..." Hundertwasser believed all tenants should have the right to reach out their window and paint their space as they wish.
Hundertwasser- Hundertwasser Haus, Vienna, 1983-86. hundertwasser.at
Hundertwasser on the Eurovision programme 'Make a Wish' with Dietmar Schönherr, Dusseldorf, 1972, explaining green roofs. www.hundertwasser.at
Hundertwasser- Thermal Village, Blumau, Austria, 1993-97. hundertwasser.at
Hundertwasser- Thermal Village, Blumau, Austria, 1993-97. hundertwasser.at
For a visit to this green eco-lodge- www.blumau.com
Hundertwasser- Thermal Village, Blumau, Austria, 1993-97. hundertwasser.at Compost toilets fertilize the green roof, closing the waste cycle. "Man must take care that the cycle functions."
Hundertwasser- Model for above Thermal Village, Blumau. hundertwasser.at
In the Meadow Hills, model, 1989. www.hundertwasser.at
Hundertwasser- Agip Service Station, model, 1989. www.hundertwasser.at
Model for Heddernheim Integrative School, Frankfurt. hundertwasser.at
Hundertwasser Model- Houses Under Meadows. www.hundertwasser.at
Ronald McDonald House, Essen, Germany, 2004-05. www.hundertwasser.at
Hundertwasser- Maishima Incineration Plant, Osaka, Japan, 1997-2001. hundertwasser.at
Hundertwasser- Maishima Incineration Plant, Osaka, Japan, 1997-2001. hundertwasser.at
Hundertwasser- Kawakawa Public Toilets, New Zealand, 1999. hundertwasser.at Hundertwasser often built uneven floors. He felt a flat floor was built for machines and was never meant for people. Photo: Mike Steadman flickr.com
Hundertwasser- Kawakawa Public Toilets, New Zealand, 1999. hundertwasser.at
Artist & architect Friedrich Stowasser (1928 - 2000) changed his
name to Friedensreich Regentag Dunkelbunt Hundertwasser which roughly
translates as 'Peace-rich or Peaceful, Rainy day, Darkly multicolored, Hundred water.'
Hundertwasser had an Austrian Catholic father who died when he was a small child and a Jewish mother. He and his mother escaped the fate of much of
her family by posing as Catholics. He traveled extensively as a young
man and enrolled at the Ecole des Beaux Arts, Paris, but left after a
day. For years he lived, traveled the world, and painted on a
reconstructed salt hauler sailboat which he called the “Regentag” (rainy
day). He also owned a farm cottage in northern France and a cabin in
New Zealand. Hundertwasser felt a special connection to New Zealand, and
was buried there when he died in the year 2000.
"When man thinks he has to correct
nature, it is an irreparable mistake every time. A community should not
consider it an honour how much spontaneous vegetation it destroys; it
should rather be a point of honour for every community to protect as
much of its natural landscape as possible. The brook, the river, the
swamp, the riverside wetlands as they are, the way God created them,
must be sacred and inviolable to us. Correcting a stream only has evil
effects, which are expensive in the end: the lowering of water tables,
the destruction of forests, the transformation of large areas into
steppes, no regeneration of the water, which runs off too fast. The
river wetlands can no longer fulfill their sponge-like function: the
absorption of excess water and slow feedback in dry spells, like a good
piggy bank in times of emergency. The regulated brook becomes a sewer.
Fish die, and there are no fish in the brook because they cannot swim
through the regulated channel. Floods, with all their devastating
consequences, all the more after regulation. Because too much water runs
off too quickly, converging in great quantity without any chance of
being absorbed by the earth and the vegetation. Only a stream with a
high waterline flowing irregularly can produce pure water, regulate the
water household and conserve the fish and animal populations to the
benefit of man and his agriculture. Now, almost too late, this age-old
adage is being recognised and the courses of rivers and streams, which
had been straightened in concrete channels, are being destroyed in order
to restore the previous irregular state. What irony!
So why regulate a stream if you have to deregulate it afterwards?"
Hundertwasser, May, 1990
www.hundertwasser.at
Maishima Sludge Plant. www.hundertwasser.at
Spiral-River Hand Drinking Fountain, Linz, Austria, 1993/94. www.hundertwasser.at
Hundertwasser True Nature Documentary Trailer
Resources:
Biography: www.hundertwasser.at
List of Buildings by Hundertwasser: en.wikipedia.org
To see examples of Hundertwasser's Paintings: inspirationgreen.org/hundertwasser
“If we do not honor our past
we lose our future.
If we destroy our roots
we cannot grow.”
Hundertwasser
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